For your consideration: Two Emmy not-nominated costume designers

bessie-still.jpgTop photos via HBO. Bottom: Starz.

When the 2015 Primetime Emmy nominations were announced I made a point of scanning the list for my favorites. Unlike most people, I wasn't looking for names of programs or actors, but of costume designers, the people whose job it is to help build character and aid in story-telling through the look of the clothing they create for a television show or movie.

I'm a hard core fan of what they do and felt sure I would see the name Michael T. Boyd, the industry veteran who designed the costumes for the HBO film "Bessie" starring Queen Latifah as the legendary blues singer Bessie Smith. It was while channel surfing one night that I was drawn into the film's story by the evocative clothing and look of the film, which follows Smith's journey from the days of vaudeville through to the Great Depression. Boyd won an Emmy in 1991 for his work on "Son of the Morning Star." Essence Magazine gushed, saying "try watching 'Bessie' without hopping online to buy every flapper dress and glittery headpiece you can find. Costumer Michael T. Boyd wisely utilizes every opportunity to drape Latifah's voluptuous frame in lush and flattering fabrics, cuts and styles true to that era. The clothes used to personify Bessie's lower stations in life are equally authentic."

Turns out Boyd's name was not on the list, although "Bessie" did garner nominations for acting, writing, casting, cinematography, music, and sound mixing. During a recent phone chat (Boyd is on location in Atlanta working on a film about Dolly Parton) he expressed mild disappointment at not being nominated but made it clear that he thoroughly enjoyed working on "Bessie". For the self-proclaimed show biz outsider — Boyd has lived in Texas since college — the project has a special place for him and he considers the movie "nearly flawless."

"Bessie" was shot entirely in Atlanta and Boyd did the requisite research through books and photographic images. "The walls of the costume department were covered in the look," he said. "Everybody (on the costume team of 20) needed to know what I know. You could see the entire movie on the walls. I love that time period. We went from 1905 to 1933. There were so many changes, so much ground to cover and we had very little prep time."

Although Boyd brought a knowledge of the vaudeville era to the table, this was his first film portraying singing on stage. He took on the task of dressing the various bands himself. "That was my special little project. I wanted them to look a certain way as we moved through the movie...ragtime to the jazz era of the 30's — you want those guys to look right."

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Also impressed by Boyd's work on "Bessie" was Mary Rose, curator of FIDM's current exhibit, Outstanding Art of Television Costume Design. The show features designs from the past year, some Emmy-nominated, some not. Rose knew she wanted to include Boyd when she first viewed the film earlier this year. Considering the Emmy snub, she offered Boyd a bit of a consolation prize. He told me that he was surprised to be invited. The show at FIDM's downtown campus marks the first time his designs have been part of any costume exhibit.

For admirers of television costume design who want to follow the process in real time, there is a blog by "Outlander" designer Terry Dresbach (another Emmy winner omitted from this years list of nominees.) Production for the Starz series about a 1940's combat nurse who time-travels back to 18th century Scotland is based in Glasgow, where Dresbach lives for a good part of the year (along with her husband Ron Moore, Outlander's show runner).

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Her blog, An 18th Century Life, provides an inside look at just what goes into researching and creating costumes for the show, which premiered last summer. Dresbach is also active on Twitter, where she frequently interacts with Outlander's legions of fans.


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