Former Los Angeles Times theater writer Don Shirley, now on the beat for LA Stage Times, writes that the year-end lookbacks by incumbent Times critic Charles McNulty "demonstrated anew [the paper's] curiously constricted view of the importance of the other LAT — LA theater." Excerpt of his piece
A lot of readers probably assume that the chief LA Times critic reviews or at least sees most of the better LA shows. But it ain’t necessarily so.
I looked up the record of what McNulty wrote about in 2011, courtesy of one of the databases at the LA Public Library. I found 52 reviews of individual theater productions within LA and Orange counties (plus one review at Long Beach Opera and a RADAR L.A. commentary that included brief comments on several shows).
It’s no surprise that he reviewed Center Theatre Group shows more often than those of any other company – a total of 13 in 2011. The surprise about his CTG coverage is that only two of those 13 were at CTG’s flagship venue, the Mark Taper Forum. Four were at CTG’s largest theater, the Ahmanson, while seven were at CTG’s smallest venue, the Kirk Douglas. McNulty wrote about eight productions at Geffen Playhouse and seven at South Coast Repertory. He covered five shows at Broad Stage (all of them imports).
So 33 of his 52 individual theater reviews in Los Angeles and Orange counties took place at those four companies, which are more or less regarded as the “1%” of LA theater by many of the “99%” who work elsewhere in the vast LA theater terrain.
No, it's not the first time Shirley has found fault with his former employer.
Recently at LA Stage Times: A half-dozen local stage managers talk about their job.