on her current website, Food 52, that she used to always give encouragement to would-be writers who contacted her. Then she felt she had to stop feeding, so to speak, their hopes. It's about the market for writers." /> Advice to aspiring food writers from Amanda Hesser: don't do it - LA Observed
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Advice to aspiring food writers from Amanda Hesser: don't do it

amanda-hesser-mug.jpgAmanda Hesser, the former New York Times food writer who made a cameo in the movie "Julia and Julia," writes on her current website, Food 52, that she used to always give encouragement to would-be writers who contacted her. Then she felt she had to stop feeding, so to speak, their hopes. "What has struck me recently," she writes, "is how sharply and suddenly my spiel to aspiring food writers has changed."

I can no longer responsibly recommend that you drop everything to try to become a food writer. Except for a very small group of people (some of whom are clinging to jobs at magazines that pay more than the magazines' business models can actually afford), it’s nearly impossible to make a living as a food writer, and I think it’s only going to get worse.

If I weren’t working on Food52, I would not be a full-time writer because, even as an experienced journalist and best-selling author, I would not be able to pay my bills. Just 10 years ago, food writers with staff jobs were able to earn $80,000 to $150,000 a year, and freelancers were regularly paid $2 a word; today, these jobs barely exist. Advertising revenues, already on a steady decline, plummeted online. Online, $35,000 to $60,000 a year and $.25 to $.75 a word is more like it. New publications simply can’t pay very well, if at all. Just ask our writers.

And the real problem with these figures is that they're static – you don’t start at $40,000 and work your way up to $80,000. You either happily stay at $40,000, or leave and let the next young, bright writer take your spot. This $40,000 also comes with many fewer perks – no expense accounts and little travel budget. In 1998, the New York Times sent me to France for two weeks to find some stories. Today, this would be unimaginable.

Today she advises her proteges to "start a blog, pitch magazines, go after a book contract...but instead of relying on writing as your bread and butter – and instead of torturing yourself with the rejection and struggle for respectable payment that this will entail -- look to other interests in the food industry. We’re in a moment of great change. There’s never been more opportunity to make a difference, to shift the way we think about buying and eating food, to create something new, to start a business. This is what you should be doing."


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