William T. Vollmann’s Rising Up and Rising Down runs seven volumes and 3,000 pages and costs $120 from McSweeney's. David L. Ulin confesses in tomorrow's LA Weekly that he hasn't read the whole thing, a fact of real life that Vollman accepts during their conversation about the project and the topic it dissects: violence.
In almost every way that matters, McSweeney’s and Rising Up and Rising Down represent the perfect match of publisher and work. Each stands willfully adjacent to the mainstream; each aspires to push the limits of what literature can do...No matter where you stand on the ideological spectrum, it can be unsettling to see Bernhard Goetz juxtaposed with a figure like Gandhi, or, for that matter, suicide reconfigured as a form of self-defense. Such concepts are troublesome, uncomfortable and raise a lot of questions, constantly forcing us to reassess our engagement with the book. This, however, is part of the purpose, especially if you disagree with Vollmann (as I do in regard to Goetz): to challenge our assumptions, to make us reconsider what we think we know.
Also, Margaret Wertheim writes in the LA Weekly about an exhibit - "Loop Feedback Loop" - on L.A. traffic and the city's attempt to control it with sensors and central computers. It's at the Center for Land Use Interpretation (CLUI) in Culver City.


Monica Almeida has the perspective of a native Angeleno who photographs Los Angeles for an East Coast newspaper: the New York Times.