Save Disney Hall from art

Sam Hall Kaplan, the author and former Times design critic whose columns run in the Downtown News, really doesn't like the Claes Oldenburg and Coosje van Brugge sculpture destined for the sidewalk in front of Disney Hall. He pleads that other sites such as Pershing Square or the City Hall lawn be considered before it's too late and the street view of Disney Hall is ruined.

The Music Center has been particularly secretive about the proposed "Collar and Bow" sculpture set to grace the front of the Walt Disney Concert Hall at the corner of First Street and Grand Avenue. Seeing the rendering, we now know why.

The fiberglass-and-steel sculpture depicting a swirling, open, white-winged collar and black bowtie looks as if it was dropped in haste by a mutating giant green hulk stripping his tuxedo while fleeing a concert. A forced, out-of-scale, sculptural one-liner, it is a bad opening lounge act to the concert hall. It is not needed, at least not sprawling wantonly in front of what is another sculptural work, albeit architectural...

As viewed in a computer rendering, the indulgence clutters the sidewalk, partly blocks the front steps, and compromises a photo angle favored by sightseers from around the world.

Kaplan reports for Fox 11 News on weekends.


11:28 AM Monday, August 2 2004 • Link
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Any links to said proposed sculpture?

Posted by: Alan at August 2, 2004 12:25 PM

He's absolutely right. Move the thing. If the Disney has any value, it's as a giant sculpture in its own right. To add another one, a clashing one at that, is unforgivable. I like Oldenbgurg and van Brugge and I miss their jacknife, loaned out from MOCA (to Bilbao, I believe), but their work always needs a plainer setting.

Posted by: John Shannon at August 2, 2004 12:27 PM

Here's a link. This looks pretty horrible...

Posted by: Marc Danziger at August 2, 2004 12:40 PM

When we stand before the plains of Monument Valley, or the open maw of the Grand Canyon, the sprawling space somehow helps us define ourselves in that context, and we are invigorated.

In Los Angeles, open spaces somehow forces them to define themselves in that context, and only reminds them of stark death, which compels them to hastily fill it with any random knick knack, as if doing so would disperse the existential vacuum which terrifies them.

People in Los Angeles hate unfilled space, for it reminds them of what they have to look forward to.

Posted by: R at August 2, 2004 12:48 PM

The space is perfect as is. Adding a sculpture - any sculture - is like a tone deaf person adding a guitar riff to a Gregorian chant. Stop, please!

Posted by: nick at August 2, 2004 01:05 PM

For architects driving in Los Angeles, or people dating Amy, here is your soundtrack:

http://www.amazon.com/exec/obidos/clipserve/B0000003MZ001001/0/104-0026671-8107900

Posted by: R at August 2, 2004 01:30 PM

I think the new sculpture will be fine.

Right now there's a brutal, barren, mile-wide concrete sidewalk out in front of the hall, and when I'm walking north on Grand Ave, looking towards the courthouse, I feel the sightline could use an exclamation point to break the monotony.

Posted by: Tamara at August 2, 2004 02:12 PM

Sculpture is not a bad idea, but a pop/plop Oldenburg is a horrible idea. What the east elevation needs is not more tame pop-plop art but something that will make it far more superfreakier. If sculpture, maybe a nod to the Latinos of LA with a few of these. If not, then certainly some of these, which would make the walk along the east elevation far more exciting.

Posted by: joseph at August 2, 2004 03:08 PM

Is it small enough to stick in one of the gardens? Maybe on top of that limestone building. Anything that doesn't block the great view of W. D.C Hall.

Posted by: savvy at August 2, 2004 10:49 PM

another link:

http://kcrw.org/gallery/images/at040622cc.jpg

gadzooks. I much prefer open sidewalk.
It can't really be that big and unattractive, can it?

Posted by: betty at August 2, 2004 11:51 PM

I walk past the hall once or twice a day and I think it will be the perfect addition to the valet signs, lectern, chairs, umbrella and multiple orange traffic cones, the tacky trash cans, intimidating guards, and scissor doors that I’ve never seen open during daylight hours.

Posted by: squinty at August 3, 2004 06:16 AM

For the first time I must disagree with Kaplan. I think the Oldenburg sculpture would be a great addition to the concert hall. I think it goes far in emphasizing the fact that this is a concert hall, not just a backdrop for car commercials.

My question is, what are the plans to permanently fix the reflection on the west side of the hall? Right now it is just covered Cristo-like with a grey tarp.

Posted by: WALT at August 3, 2004 10:40 AM

It may be worth noting that Gehry and the Oldenburg/van Bruggen team (the last two are married) are best buddies.

Posted by: Michael Turmon at August 3, 2004 11:28 AM

Gehry's famous Guggenheim museum in Bilbao has a Rose-Parade type sculpture of a large dog sitting near its entrance.

http://www.virtourist.com/europe/bilbao/02.htm

I like the whimsy of these types of elements, which seem quite appropriate for a concert hall named after a legendary, children-pleasing showman. However, something that I do think deserves more attention and nitpicking is the darkness of the facade of the hall at night. Did the Music Center not want to spend money for floodlights?

Posted by: Tamara at August 3, 2004 11:41 AM

Dress code as art. Nice.

Posted by: R at August 3, 2004 04:37 PM

Great. They finally remove the car that was parked atop the stairs by the main entrance and now they plan on adding a ridiculous sculpture of a bow and tie. May as well add Mickey Mouse ears.

Posted by: Katz_Meow at August 4, 2004 11:58 AM

What was with that car?

Posted by: Kevin Roderick at August 4, 2004 12:35 PM

I don't like the sculpture myself, but who are we to judge. Art is not democratic. Many proposed buildings, sculptures, and monuments tend to be heavily criticized and reviled. Most of these controversial works have gone on to become icons for their cities, everything from Paris' Eiffel Tower to SF's Transamerica Building to NY's Guggenheim to DC's Vietnam Memorial to the lion statues infront of the NY Pulic Library. If the sculpture goes up and we hate it that much, we can just tear it down like with Serra's Tilted Arc.

Posted by: J Masco at August 4, 2004 01:15 PM
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