On Memorial Day I spent some time absorbing the enormity of the world's struggles and conflicts at the War/Photography exhibit, over 170 images dating from 1887 to the present. As with many of the exhibits at the Annenberg Space for Photography, there was too much of a good thing, with the curators choosing to go wide rather than deep.
At LACMA on Thursday night, a packed and very excited audience, some dressed in 80's garb, watched a screening of "Valley Girl" as the the museum's Film Independent program celebrated the movie's 30th anniversary. "This film was well-researched and shot in Los Angeles. It is about our cultural history," director Martha Coolidge told the crowd.
He was greeting people good naturedly on Barrington Avenue just south of Sunset on Friday. The only name he wanted to give was Giant Robot.
After careers as a gallery owner, graphic designer and artist, he's entered another phase of his life: educating the public about the value of urban farming and quality food. He also will help curate the upcoming changes to downtown's Grand Central Market.
It's been hard to ignore the baggage that comes with aging. Good thing that a new play is more about the friendships, loyalties, yearnings and fears that accompany us on life's journey.
"Each movie is like a chapter in a book about contemporary human life." says the director. "The work will never be finished, but it will provide a trace of life over the last 40 or 50 years."
Redcat and NYC's Elevator Repair Service bring every word of "The Great Gatsby" to the LA stage. After it was over, I couldn't wait to get home and finish the novel.
Whoever still doubts the seriousness of our changing climate, our melting polar ice caps and our own role in climate change, should sit down and watch this movie.
After serving 26 years, 5 months and 4 days in prison, Bruce Lisker takes the rights he has earned as a now-free U.S. citizen very seriously. Prop. 34, which would eliminate the death penalty in California, is one battle that he has a stake in.
Arnon Goldfinger made 'The Flat' while cleaning out his grandmother's flat in Israel, where she emigrated from Nazi Germany with secrets that took many years to reveal themselves. What do we save and what do we throw away? What do we share and what do we hide?
Anxious to get away from a day of bad news, I retreated to that shrine of wealth and Hollywood make-believe, the Beverly Hills Hotel. I got to stay there in the late 70's when I was sent across the country by Rolling Stone to interview Dustin Hoffman when "Kramer vs. Kramer" was about to open. After I moved to LA, it helped me adapt to my new city.
In Glassell Park during last weekend's Second Saturday Gallery Night in Northeast LA. Photos by Iris Schneider.
As September approached, Bruce Lisker was getting anxious. His civil suit--filed against the LAPD and postponed many times over the three years since he was released from prison and exonerated of the crime of murdering his mother--was set to begin on September 25. Since his release he has tried to create a life that would make up for the 26 years lost to a wrongful prison sentence. That life includes renewing his marriage vows with Kara, in front of friends and "chosen family."
Marissa Roth's show of photographs of women in war zones from Cambodia, Vietnam, Kosovo, Bosnia Herzegovina, Pakistan, Afghanistan and elsewhere opens Aug. 16 at the Museum of Tolerance in Los Angeles. "I've probably spent close to $200,000 on the project. I could have given myself a masters and a doctorate...but I thought 'I just have to do this, no matter what it costs.'"
Shawn Whitehead plays piano for change in the courtyard of the Egyptian Theater in Hollywood. His friend Fred Banks watches. The latest in Iris Schneider's series of Night Vision photographs from around the city.
If the question is "Who Shot Rock and Roll," the answer according to the new show at the Annenberg Space for Photography would have to be "Everybody." The show is a rambling exhibition of 166 images, some iconic and many obscure, documenting rock and roll and and along with it a slice of cultural history.
Benjamin Millepied and Amanda Wells dance in a free performance for his LA Dance Project last night at the Museum of Contemporary Art. The crowd included actress Natalie Portman.
The Costume Council saluted 100 years of Western Costume Co. at the Los Angeles County Museum of Art. Moses (Ned Albright) chatted with Miwa Kosuga in the museum's atrium after the program.
Dancers enjoy the music on Saturday at the Getty Center's "Saturdays Off the 405" concert series. Photograph by Iris Schneider.
The aftermath of a teenage party over the weekend in the Silver Lake hills.
It's debatable which came first, the insatiable desire to document the famous or the need for the masses to see endless images of celebrities caught acting like normal people. But the Internet, the money to be made and the ease of picture-taking technology have changed everything. Thus a panel discussion at the Getty in conjunction with the exhibit, "Portraits of Renown," celebrity portraits dating back to the 1800s.
Carol Wells began collecting political posters on a 1981 trip to Nicaragua. She has amassed an impressive collection of works that chronicle labor and political movements filtered through the prism of art and activism. "Posters are a very efficient and powerful way of teaching history," she says.
The line on Saturday night for the 24-hour screening of "The Clock" at LACMA.
On the latest start date for Bruce Lisker's civil trial over being imprisoned for 26 years, he was at work at Eque Archival Film Restoration in Larchmont, running to Kodak's Hollywood lab and Universal Studios delivering and picking up films — and staying positive.
In the projection room tonight at the Million Dollar Theater, for Stanley Kubrick's "Paths of Glory," with projectionist Tom Ruff.
When avant-garde choreographer Pina Bausch died suddenly in 2009, filmmaker Wim Wenders not only mourned his close friend. The movie they were to begin in two days almost died as well. "Pina" opens Friday in Los Angeles
Occupy protesters demonstrate at the end of the Rose Parade through Pasadena.
The City of Los Angeles float turns onto Fair Oaks Avenue moving into position for Monday's Rose Parade in Pasadena.
My photographs from the clean-up scene at Occupy L.A. this morning.
Riddle from the art world: Who was part huckster, part experimental trailblazer and part social commentator, lampooning society's adoration of celebrity, but longing to be one at the same time? Go to MOCA and see.
Former Secretary of Labor Robert Reich speaking on Saturday at Occupy Los Angeles, outside City Hall.
Crew films an episode of "The Closer" on Fuller Avenue near Beverly Boulevard. Photograph by Iris Schneider.
At 2nd Street and Beaudry, just west of the Harbor Freeway from Downtown. Second in the Night Vision series.
Iris Schneider has followed Bruce Lisker for LA Observed since his release from prison two years ago. This weekend, she covered the wedding.
New series of photos on L.A. at night, starting on Union Avenue near 12th Street in Pico-Union.
In my opinion, she deserves not only a museum, but her own special Oscar for trying so hard to preserve Hollywood's history.
I was at the Convention Center this past Thursday when my Guatemalan friend became a citizen after 22 years in the U.S.
I saw it out of the corner of my eye while driving home on Sunset. While I knew what it meant, I chose to ignore it.
Bruce Lisker was mostly excited to return to the courthouse where he was wrongly convicted of killing his mother and sent to prison. But there were surreal moments.
Like their older sisters, the Junior Derby Dolls [ages 8-17] "are a do-it-yourself, volunteer-driven roller derby league trained and run by members of the L.A. Derby Dolls."
After 26 years in prison for a crime he didn't commit, Bruce Lisker added a new first on Tuesday. He voted. Plus he's engaged.
"Los Angeles Plays Itself," a three hour film that is a virtual tutorial on how Los Angeles is portrayed in the movies, screened this weekend at the Aero Theater in Santa Monica. Director Thom Anderson was there.
After taking the call that the state wants to send him back to prison, Bruce Lisker says "I just need to stay focused on the tasks ahead: school, love, life and staying in a spiritually and emotionally healthy place."
I dozed off during the movie and woke up wondering: who has dreams like that?
Julian Schnabel and MOCA director Jeffrey Deitch seem to have re-opened the old debate: what is art, exactly?
Fifth part of a series following Bruce Lisker as he readjusts to life in L.A. after 25 years in prison.
This week, several of the brightest lights of the photography world turned out to honor the still image.
For those of you who got shut out of tickets for Ira Glass at UCLA this weekend, take heart. Storytellers abound in Los Angeles.
On a rainy morning in San Pedro, Bruce Lisker was in a reflective mood. He had come to Point Fermin, the spot where his parents' ashes had been scattered, and was talking about the adjustment to his new life. Now that he has been free almost 6 months, and can't get a job, he admits "I'm feeling the loss."
Nearly four months after his release from prison, Bruce Lisker leaves North Hollywood and moves in with his girlfriend in Marina del Rey.
I caught a little sneak preview of tonight's Beyond Drag film festival, being held at Downtown Independent Theatre.
After a tough year financially, the Museum of Contemporary Art put on a gala party to celebrate with 1,000 of its closest friends.
A carwash worker asked Lisker if he had won the lottery. He smiled. "Yeah, something like that."
After 26 years in jail, shopping at Target in the Valley means freedom.
In designing a new apartment building for the Skid Row Housing Trust, architect Michael Maltzan decided not to let "freeway adjacent" become a bad thing.
When you see white people toting their lawn chairs to MacArthur Park at dusk and settling in with Hollywood Bowl-worthy picnics, you know things have changed.
USC's marching band, a card trick and cupcakes helped Los Angeles' beloved landmark celebrate a birthday.