Media people

Huffington Post in the New Yorker

Eric Alterman's piece considers the HuffPost as a step along the path of evolving news and opinion, away from the printed newspaper. Some tidbits:

First envisaged as a liberal alternative to the Drudge Report, the Huffington Post started out by aggregating political news and gossip; it also organized a group blog, with writers drawn largely from Huffington’s alarmingly vast array of friends and connections. Huffington had accumulated that network during years as a writer on topics from Greek philosophy to the life of Picasso, as the spouse of a wealthy Republican congressman in California, and now, after a divorce and an ideological conversion, as a Los Angeles-based liberal commentator and failed gubernatorial candidate.

Almost by accident, however, the owners of the Huffington Post had discovered a formula that capitalized on the problems confronting newspapers in the Internet era, and they are convinced that they are ready to reinvent the American newspaper. “Early on, we saw that the key to this enterprise was not aping Drudge,” Lerer recalls. “It was taking advantage of our community. And the key was to think of what we were doing through the community’s eyes.”

After the jump, co-founder Jonah Peretti acknowledges that user-generated content mostly sucks.

On the Huffington Post, Peretti explains, news is not something handed down from above but “a shared enterprise between its producer and its consumer.” Echoing Murdoch, he says that the Internet offers editors “immediate information” about which stories interest readers, provoke comments, are shared with friends, and generate the greatest number of Web searches. An Internet-based news site, Peretti contends, is therefore “alive in a way that is impossible for paper and ink.”

Though Huffington has a news staff (it is tiny, but the hope is to expand in the future), the vast majority of the stories that it features originate elsewhere, whether in print, on television, or on someone’s video camera or cell phone. The editors link to whatever they believe to be the best story on a given topic. Then they repurpose it with a catchy, often liberal-leaning headline and provide a comment section beneath it, where readers can chime in. Surrounding the news articles are the highly opinionated posts of an apparently endless army of both celebrity (Nora Ephron, Larry David) and non-celebrity bloggers—more than eighteen hundred so far. The bloggers are not paid. The over-all effect may appear chaotic and confusing, but, Lerer argues, “this new way of thinking about, and presenting, the news, is transforming news as much as CNN did thirty years ago.” Arianna Huffington and her partners believe that their model points to where the news business is heading. “People love to talk about the death of newspapers, as if it’s a foregone conclusion. I think that’s ridiculous,” she says. “Traditional media just need to realize that the online world isn’t the enemy. In fact, it’s the thing that will save them, if they fully embrace it.”

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The Huffington Post’s editorial processes are based on what Peretti has named the “mullet strategy.” (“Business up front, party in the back” is how his trend-spotting site BuzzFeed glosses it.) “User-generated content is all the rage, but most of it totally sucks,” Peretti says. The mullet strategy invites users to “argue and vent on the secondary pages, but professional editors keep the front page looking sharp. The mullet strategy is here to stay, because the best way for Web companies to increase traffic is to let users have control, but the best way to sell advertising is a slick, pretty front page where corporate sponsors can admire their brands.”

This policy is hardly without its pitfalls. During the Hurricane Katrina crisis, the activist Randall Robinson referred, in a post, to reports from New Orleans that some people there were “eating corpses to survive.” When Arianna Huffington heard about the post, she got in touch with Robinson and found that he could not support his musings; she asked Robinson to post a retraction. The alacrity with which the correction took place was admirable, but it was not fast enough to prevent the false information from being repeated elsewhere.


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