Osborne's TV credits begin in 1954, but in 1977 he took up writing for the Hollywood Reporter and became the genial first host of TCM movies.
The creative director and editor who brought The Hollywood Reporter back from the brink is moving to the parent company.
Michael Cieply, the longtime anchor of New York Times Hollywood coverage in the Los Angeles bureau, is joining Deadline as the executive editor.
The Wrap says that newsroom gossip is true about a strip club expense account, a free trip and more.
Clearing the desk of media moves, observations and other items.
Henry Chu is the trade's new European Bureau Chief. He took the LAT buyout last fall.
Larry Mantle on his friend Steve Julian. New post for Nicco Mele. The Broad gets a category on tonight's "Jeopardy." And a lot more.
Longtime TV reporter Scott Collins will be TV editor, and Michael Schneider joins Penske Media. Plus more.
Joe Bel Bruno jumps from the LAT's Company Town team to lead breaking news coverage at the Hollywood Reporter.
Variety's chief film critic is moving to Amazon Studios as an acquisitions and development executive.
The Emmy Award nominations will no longer be held at a ridiculous hour of the morning in Los Angeles (well, North Hollywood.)
THR's National Magazine Award comes in the category of special interest. Pacific Standard and Amanda Hess also win.
Variety sped up an announcement of Rainey's hiring tonight after I called him seeking comment. Orr is leaving for Colorado and a startup.
The Variety logo that used to shine from the tallest office tower on the Wilshire Miracle Mile is now on the facade of a non-descript mid-rise on Santa Monica Boulevard in West Los Angeles.
Daily News leadership, a new photo of and a threat directed at Nikki Finke, Heather Havrilesky's column moves, plus more.
Ressner began at the LA Weekly as a messenger, moved to the Hollywood Reporter, Rolling Stone and US Weekly, then was a Time magazine correspondent in Los Angeles for more than 10 years. He also wrote for Politico.
Anne Thompson helps give some perspective to the latest back and forth between the Hollywood blogger and her former colleagues.
This perhaps bears repeating: The Hollywood Reporter is up for a general excellence award in the most prestigious magazine competition in the country. So is Pacific Standard.
Perhaps THR should have chosen a little different wording for one of the click-bait links in its story on today's PCH brush fire in Pacific Palisades.
Lindgren will relocate to Los Angeles for three months to oversee The Hollywood Reporter as acting editor while Janice Min and other key editors are working on a remake of Billboard.
Jean Smart portrays Finke as a secret blogger whose true identity is unknown to her family. Good line: "Mom, you're on the Internet."
The LA Press Club handed out the prizes it calls the National Entertainment Journalism Awards last night. Here are the winners.
Patrick Goldstein, the longtime Hollywood watcher for the LA Times and others, has a good feature piece in Los Angeles Magazine on the current state of the four main movie biz trades. One of the best parts is the disclosure of his professional entanglements with the players.
Key staffers hired by Finke will carry on Deadline.com. Finke calls it "a great day" and says she is free to start a new career at a new website.
Nikki Finke is "miscast as the victim in this drama," Deadline's senior actual adult, Hollywood trades veteran Michael Fleming, writes in a post on what used to be her site. He refutes several of her core claims and says "Nikki" has turned a personal feud with buyer Jay Penske into "a public spectacle."
I guess this is what happens when you sell your website to a guy with money, then challenge him openly.
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