Ressner began at the LA Weekly as a messenger, moved to the Hollywood Reporter, Rolling Stone and US Weekly, then was a Time magazine correspondent in Los Angeles for more than 10 years. He also wrote for Politico.
Anne Thompson helps give some perspective to the latest back and forth between the Hollywood blogger and her former colleagues.
This perhaps bears repeating: The Hollywood Reporter is up for a general excellence award in the most prestigious magazine competition in the country. So is Pacific Standard.
Perhaps THR should have chosen a little different wording for one of the click-bait links in its story on today's PCH brush fire in Pacific Palisades.
Lindgren will relocate to Los Angeles for three months to oversee The Hollywood Reporter as acting editor while Janice Min and other key editors are working on a remake of Billboard.
Jean Smart portrays Finke as a secret blogger whose true identity is unknown to her family. Good line: "Mom, you're on the Internet."
The LA Press Club handed out the prizes it calls the National Entertainment Journalism Awards last night. Here are the winners.
Patrick Goldstein, the longtime Hollywood watcher for the LA Times and others, has a good feature piece in Los Angeles Magazine on the current state of the four main movie biz trades. One of the best parts is the disclosure of his professional entanglements with the players.
Key staffers hired by Finke will carry on Deadline.com. Finke calls it "a great day" and says she is free to start a new career at a new website.
Nikki Finke is "miscast as the victim in this drama," Deadline's senior actual adult, Hollywood trades veteran Michael Fleming, writes in a post on what used to be her site. He refutes several of her core claims and says "Nikki" has turned a personal feud with buyer Jay Penske into "a public spectacle."
I guess this is what happens when you sell your website to a guy with money, then challenge him openly.
On her Twitter feed, Nikki Finke has been posting in the past hour on what sounds like the beginning of a final break from Jay Penske, the investor who bought her Deadline.com some years back.
"One of the most noble things Jay Penske could ever do would be to give me back Deadline," Nikki Finke says in an interview with the WSJ's Ben Fritz. Plus: Finke notes still no correction by Sharon Waxman.
Russ Stanton, the VP for content at KPCC (and former editor in chief of the Los Angeles Times) had an email exchange with The Wrap reporter Sara Morrison over her recent story about the station. He takes a few shots at the site and offers Morrison some unsolicited career advice. She sticks to her guns.
Nikki Finke certainly doesn't sound fired. Today she announced the hiring of new television columnist Lisa De Moraes, who spent about 15 years covering TV at the Washington Post.
Mediabistro is calling it a hiatus but says that "within the next few weeks, all existing FishbowlLA content will be folded into the FishbowlNY archives." Current editor Richard Horgan will move over to FishbowlNY "to cover the Hollywood trades, awards season and a broad range of national media stories."
David Carr emailed Nikki Finke, took 15 minutes of verbal abuse, then tried to get to the truth of her future with Deadline. Last week's story in The Wrap, says Carr, "did not turn out to be true. [Sharon] Waxman, perhaps driven by wish fulfillment, wrote beyond the facts at hand." Waxman disagrees.
Finke posts a response in which she neither confirms nor denies that she has been "fired" from her own Deadline Hollywood by owner Jay Penske, as Sharon Waxman reported Sunday at The Wrap. "I am not going to discuss my Deadline Hollywood contract or my relationship with my boss Jay Penske," says Finke. "Why? Because I don’t have to."
The Wrap reports that Jay Penske has fired Finke. Penske's flack says it's not true. But the truth is less black and white...there is a contract negotiation involved...and Finke has reportedly been telling people she is looking to get out.
Stacey Farish, publisher of The Wrap since November of 2011, has jumped to Deadline's print magazine, Awardsline. She also becomes vice president of PMC Entertainment. Score one for Nikki Finke.
Executive editor Lisa Fung is the second former Los Angeles Times hand to leave the editing ranks of The Wrap in the past month. Also, Jeff Sneider of Variety re-joins The Wrap as a film reporter.
The last daily issue of Variety hits mailboxes Tuesday — be sure and grab a copy to save if you are into that. For the next generation Variety, the news today is that Scott Foundas joins the trade as chief film critic. He will stay in New York.
The Deadline.com team broke the news last night that parent company PMC is moving Variety out of its Miracle Mile office tower, and the Deadliners out of wherever they sit, and throwing them together in a building on Santa Monica Boulevard beside the 405 freeway. Nikki Finke and the Variety staffers she regularly insults together?
Fifteen months ago, the new deputy managing editor of The Wrap dismissed the site as "a small blog" filled with "opinion, agenda and fantasy" and "hardly a beacon of journalistic excellence." Editor Sharon Waxman was similarly dissed. All is forgiven, apparently.
Nikki Finke's post this morning at Deadline on the changes at Variety almost dripped ice water, especially when she flat-out accused the boss she shares with Variety, Jay Penske, of lying to her. Never mind: sometime during the day, the phrase "Penske lied to me" disappeared.
Nice farewell note to the Los Angeles Times newsroom from Claudia Eller, the entertainment news editor and veteran of the Hollywood scoop wars who was announced today as one of three new co-editors who will run Variety. She opens with praise for her current editor, John Corrigan, and confirms the Times counter-offered.
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